1. Eligibility

The Budapest Ballet Grand Prix (BBGP) is organised by the Hungarian Dance University and will take place 15–19 November 2026 in Budapest, Hungary.

The competition is open to students of dance conservatories and professional ballet schools worldwide aged 14–22 years.

Category Age
Solo Junior 13–15
Solo Senior 16–20
Pas de Deux 16–22

Male and female dancers compete together within each category.

2. Repertoire Requirements

Solo Junior:
• 1 classical variations
• 1 contemporary solo

Solo Senior:
• 1 classical variations
• 1 contemporary solo

Pas de Deux:
• 1 classical pas de deux
• 1 contemporary duet

Additional requirements:
• Classical variations must be selected from the official BBGP classical repertoire list. See list:
• Contemporary choreography may be freely chosen.
• Contemporary solo time limit: max. 2:30 minutes.
• Contemporary pas de deux time limit: max. 4 minutes.
• Classical pas de deux must include adagio, variations and coda.
• Contestants may not perform the same variation again in a later round.

3. Application & Pre-selection

Applications are submitted through the BBGP website.

Participants must upload:

  • CV
  • Photo
  • Video recording

Video Submission Requirements

For the pre-selection, applicants must submit a video recording via an online link.

The video must be uploaded to YouTube or Vimeo and submitted as a direct link in the application form.

Technical requirements

  • The video must be accessible via a public or unlisted link.
  • The video must not be password protected.
  • The video must remain available online until the end of the competition.
  • The recording must be no older than 12 months.

Video requirements:
• Solo competitors: one classical variation
• Pas de Deux: one classical pas de deux
• Video must clearly show the performer.

Videos that cannot be opened or accessed by the Selection Committee may result in disqualification from the pre-selection.

Music Submission

Selected Participants must submit the music recordings for their competition performances no later than 10 October 2026.

Music files must be sent by email to: bbgp@bbgp.eu

File requirements

  • Accepted formats: MP3 or WAV
  • WMA and CDA formats are not accepted
  • Each musical piece must be provided as a separate file
  • The recording must be in good sound quality
  • Piano recordings for classical repertoire variations are not allowed

Additional requirements

  • Please indicate start and stop points if the music requires editing.
  • Name the files clearly using the following format:
    Name_Category_VariationTitle

Example:
AnnaKovacs_SoloJunior_DonQuixoteKitriVariation.mp3

Important

  • CDs or USB drives will not be accepted.
  • Music rights and sound quality are the responsibility of the participant.

After submission, the BBGP sound engineer will review the files and may contact the participant if any technical issues are detected (for example pauses or sudden volume changes).

The organiser reserves the right to request a corrected music file if the submitted recording does not meet the technical requirements.

Fee Amount
Pre‑selection fee €40
Competition fee (after selection) €99
Total participation fee €139

The pre-selection is evaluated by a Selection Committee based on the submitted materials.

The pre-selection is evaluated by a Selection Committee based on the submitted materials.
Applicants will be notified about the results within 2–3 weeks after submitting their application.

Selected dancers will receive further instructions regarding registration, participation fee payment and music submission.
Applications may close early if the competition reaches maximum capacity.

4. Competition Format

The Budapest Ballet Grand Prix consists of three stages:

  1. Online Pre-selection
    Applicants submit their video materials through the online application system.
    The Selection Committee evaluates the submissions.

Approximately 80 dancers will be selected to participate in the Live Competition in Budapest.

  1. Semi-final Round
    All selected competitors perform their required repertoire.

After the Semi-final, the jury selects approximately 40 dancers to advance to the Final Round.

  1. Final Round
    Finalists perform one variation chosen by the jury.

Selected finalists will also perform in the BBGP Gala Performance.

5. Venue

Competition

National Dance Theatre Budapest
Stage size: 16 x 12 meters

Gala

Palace of Arts, Budapest
Stage size: 18×14 meters

Competitors will have stage spacing opportunity, open stage rehearsal and warm‑up areas.

Teachers are not allowed to coach students during the competition.
Contestants must provide their own costumes, makeup and props (limited functional props allowed).

6. Jury & Evaluation

Competitors are evaluated by an international jury.

Judging criteria:
• Artistic expression
• Technical performance
• Musicality

Important principles:
• Jury members cannot judge their own students.
• Jury decisions are final and non‑appealable.
• The jury may withhold or divide prizes.

7. General Conditions

Participants must arrange their own travel, accommodation and insurance.
By registering, participants agree to the BBGP rules and media policies. Privacy Policy (ENG)
The organiser may make photo and video recordings during the competition.

The competition repertoire shall consist of the classical ballet repertoire listed below and of contemporarydance works. In contemporary dance, the choreography shall contain elements that clearly differ from classical ballet technique. 

Classical ballet repertoire: 

  • Coppelia (A. Leon) Pas de Deux and all Variations 
  • Diana & Acteon (A. Vaganova) Pas de Deux and all Variations 
  • Don Quixote (M. Petipa) Pas de Deux and all Variations 
  • Fairy Doll (S. Legat) 
  • Flower Festival at Genzano (A. Bournonville) Pas de Deux and all Variations 
  • Giselle (J. Perrot, J. Coralli) Variation of Giselle, Act I Peasant Pas de Deux and Variations, Pas de Deux and Variations from Act II 
  • Graduation Ball (D. Lichine) Pas De Deux Variations 
  • Grand Pas Classique (V. Gsovsky): all variations 
  • Harlequinade (M. Petipa) Pas De Deux and all Variations 
  • La Bayadere (M. Petipa) Three Shade Variations, Act III; Gamzatti Variation, Pas de Deux and Variations, Bronze Idol, 
  • La Esmeralda (M. Petipa) Pas de Deux and all Variations 
  • La Fille Mal Gardee (B. Nijinska, Romanoff) Pas de Deux and all Variations 
  • La Sylphide (A. Bournonville) Pas de Deux and all Variations 
  • La Ventana (A. Bournonville) All Variations 
  • Laurencia (V. Chabukiani) 
  • Le Corsaire (M. Petipa) Pas d’Esclave and Variations, Odalisque Variations, Jardin Anime, Act 
  • Henriette variation from Raymonda III. Act 
  • Le Corsaire – Merchant Pas de Deux 

III Pas de Deux and Variations, Medora Variation 

  • Les Sylphides/Chopiniana (M. Fokine) Male and Female Mazurkas, Waltz # 7 and Waltz # 11, Prelude 
  • Napoli (A. Bournonville) Pas de Six and all Variations 
  • Paquita (M. Petipa) All Variations 
  • Raymonda (M. Petipa) All Variations 
  • Satanella (M. Petipa) Pas de Deux and all Variations 
  • Swan Lake (M. Petipa, Ivanov) Pas de Trois and Variations , Black Swan Grand Pas III.act Pas de Deux and Variations, all variations 
  • The Awakening of Flora (M. Petipa) Variations 
  • The Cavalry Halt (M. Petipa) Pas de Deux and all Variations 
  • The Flames of Paris (V. Vainonen) Pas de Deux and all Variations 
  • The Nutcracker Suite (V. Vainonen) Pas de Deux and all Variations 
  • The Pharoa’s Daughter (choreographer Petipa) all variations 
  • The Sleeping Beauty (M. Petipa) Variations of Fairies, Aurora Variations from Act I, II and III, Blue Bird Pas de Deux and Variations, Wedding Pas de Deux and Variations 
  • The Talisman (M. Petipa) Pas de Deux and all Variations 
  • Walpurgis Night from the opera Faust. ( L. Lavrovsky) – Girl variation 
  • William Tell Variation (A. Bournonville) 

The repertoire of classical and contemporary dance is the choice of each participant (or their tutor), in classical fromthe list above. We highly recommend choosing an age-appropriate type of variation. Contestants are responsible for the selection of variations and their copyrights.